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Archive for January, 2009

 Apologies for the delay in getting around to “I Want to Be Wanted.”  I suspect three factors: a sudden influx in work due to the real start of a new semester, blowing my wad with the lengthy “Mr. Custer” post and not being particularly inspired by Brenda Lee’s second number one.  If this were a [...]

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(Apologies for the video – it’s the only one I found on YouTube that used the original recording.) The ascendance of “Save the Last Dance for Me” almost seems to be a bit of overcompensation on the part of the American listening public.  After “Mr. Custer,” anything would have been an improvement, but instead we [...]

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The great film critic Roger Ebert has a rule for rating movies: even the really, really bad get half a star.  The rare bestowal of zero stars is reserved only for ”movies that are artistically inept and morally repugnant.”  I’ve borrowed Ebert’s mindset for my ratings on this blog – no matter how poor it is, it’ll usually manage to scrape up a 2.  For [...]

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 Unfortunately, most of Connie Francis’s best songs never topped the Hot 100.  Sure, “Everybody’s Somebody’s Fool” was cute, but I’d much rather write about “Who’s Sorry Now?” or “Stupid Cupid.”  “My Heart Has a Mind of Its Own” is a solid chart entry, but there’s not much really memorable about it.  It’s a slow, faux-country [...]

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 When you’re out on the dance floor, you’re not paying attention to lyrics, you’re not looking for meaning.  You just want to move, to set yourself free, maybe catch the eye (or more) of a particularly attractive dancer.   When you’re dancing, really dancing to a song, you connect with it in a way that’s difficult to match in [...]

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 ”Stuck On You” may have lacked some of the verve of Elvis’s pre-army hits, but he abandoned rock and roll entirely for his next #1, “It’s Now or Never.”  Presley had heard Tony Martin’s 1950 hit “There’s No Tomorow,” based on the Neapolitan aria “‘O Sole Mio,” while stationed in Friedberg, Germany and commissioned new lyrics on his [...]

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Here’s a riddle: how did a song by an unknown teenage singer hit #1 on the Hot 100 when it has almost every element guaranteed to irritate listeners?  Insipid lyrics, shrill female co-singer, obnoxious backing vocals, corny rock-lite arrangement – all it’s missing are a children’s choir and a rapping opera singer.  My guess? The [...]

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 The lyrics to “I’m Sorry” are as simple as they come: Brenda just apologizes.  There’s no hint in the song as to what her misdeed was, who she wronged, why she’s so self-flagellating even when the person to whom she’s apologizing tells her that “mistakes are part of being young.”   “”But that don’t right the wrong [...]

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 Novelty records have a mostly deserved reputation for being one-joke “wonders” that age poorly.  “Alley Oop,” based on an old caveman comic strip I’ve never read, doesn’t seem at first blush to be a likely candidate to break this pattern.  Written in 1957 as a country tune by Dallas Frazier (whose “Elvira,” as performed by The [...]

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The Everlys may moan about being someone’s clown, but along comes Connie to argue “So what? So’s everyone else.”  “The tears I cried for you could fill an ocean/ But you don’t care how many tears I’ve cried” paraphrases the “When you see me share a tear” verse of “Cathy’s Clown,” but the bouncy melody makes the lyrics sound like [...]

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